Conservation Continues through Research and Testing
Nevelson Chapel is a place for renewal – somewhere anyone can stop in for a few (or many) restorative minutes.
But it is also a physical work of art that requires upkeep itself. A number of years ago that important effort began and, prior to the onset of the pandemic, was quite far along. Thanks to the efforts of many, Nevelson Chapel was nearing the end of a major phase of conservation.
And then, during the pandemic shutdown, the HVAC system failed.
The effect on the sculpture was not surprising. Given that the once-peeling paint had been consolidated with a water-soluble adhesive, high humidity essentially “dissolved” that adhesive. But more than this, any over-paint that had not been removed, Nevelson’s original paint and the wood substrate – in addition to all the conservation completed in the last several years – became fundamentally altered.
Events of this sort, “age” a work beyond chronological time. It is not merely what can be seen by the eye. But, physical properties change. Chemical makeup of materials change. For the last several months a team of volunteer professionals as well as contracted conservators, Jean Dommermuth and Martha Singer, have been sorting out a plan to respond.
The first step is scientific study of the materials of Nevelson Chapel. While scientific study was performed earlier, this new research will provide complete understanding of what has happened to the Chapel’s original and conservation materials in light of the HVAC system failure.
Study involves imaging – looking with different kinds of light. A team recently completed low-light UV photographs and is beginning to map the work. What is original paint? What is overpaint? Where are conservation elements? These are the questions this mapping will answer.
This mapping will also point to the areas we need to sample for chemical analysis. Over the
course of the summer, a number of very small samples will be taken from Nevelson Chapel and undergo lab testing. We need to understand each sample area’s physical and chemical nature at a molecular level.
When this study is complete we will be able to – in conversation with various stakeholders involved – determine the best course of action in response to the vitality of Nevelson’s ongoing vision for the Chapel. While no one can reverse the effects of the HVAC system failure, we can treat it. This will first involve making sure that the paint is well adhered to the wood – that’s the “preservation” part of a conservation treatment. The second step, just as important, is the “presentation” side: how can we get the sculptural ensemble as a whole to look its best, ultimately providing the most meaningful experience for those who visit the Chapel.
Stay tuned – particularly this summer – for exciting developments. And, of course, while all of this work is going on please come visit! You can see nearly all of what we are doing in person and we are glad to talk about the work, too. And, of course, check our website for updates. Whether you are in New York or on the other side of the world, we hope you will follow along with us as we continue renewing this masterwork.
Photo Credit: Adam Neese and Kevin Kennedy